THE HOBO
HANDBOOK: MEMOIRS OF A HOMELESS POET IN NEW YORK
By Daniel Canada c.2010
CHAPTER
THREE
PERSONALITIES
OF THE HOMELESS (Continued)
THE FLY. He's chic!
He's fashionably correct! He's cut
out straight from the 70's Blaxploitation movies!
You can see the presence of “The Fly," if
you were unfortunate enough to have to hit one of them soup lines in New York
City's mid-town areas. I see him all the time and, I tell you, he's one hell
of a character.
A cerulean French artist tam is placed askance
upon his head. He's got Elton John size shades and he walks like Super fly
did way back in the days. He's cool, man, and if you can't dig him, then
you need to get with the program, because you're obviously the one that's been
sleeping in a cave, Daddy O.
No, but seriously. “The Fly” is a little bit
more than meets the eye. I observed that he seemed to have some kind of
mysterious past. Something he must be hiding from the rest of us, because
he didn't quite conduct himself like the common, run-of-the-mill homeless and
"Skeksys."
But just what could it be?
And then I found out!
Well, one day I happened to be standing on one
of my usual evening soup lines, hiding my face behind the back of my hand from
anyone who might’ve passed by and might’ve known me from the by-gone era, when
I was gainfully employed and teetering on the precipice of the top of the
world.
And there was “The Fly!”
He was doing his usual thing, talking to a few of
the cliques he was accustomed to hanging around. All of a sudden, two, impeccably
dressed, Wall Street business men came up to him with looks of astonishment pasted
on their faces.
"Is that really you? I can't believe
this. I have all of your albums, man!" The first guy says, then
looks over at his friend with unalloyed disbelief.
"Yeah, man. I have a collection of your albums too, and have been
digging you for a long time," the other one says reverently, all the while
gawking at “The Fly” as if he was standing before the presence of Siddhartha Gautama.
The two look at each other and then back over to “The Fly.”
"Man, what are you doing out here? Is everything alright?" The
expressions on their faces are sincere and genuinely confused.
"Well, you know...I just fell on some hard times, is all. Got
caught out with some habits of mine, but I'll be alright." “The Fly”
confesses, trying to make like it ain't all that big of a deal.
A few hushed conversations ensue, the two men
reach in their wallets to offer him a couple of bucks that looks like
twenty-spots. “The Fly” vehemently refuses the cash, assuring them that
he's A-OK and just going through a little phase, and will be back on his feet
soon, doing his jazz music thing again. The two fans walk off with
respectful salutations.
So, that's it. The Fly’s a famous jazz
musician!
And apparently he's one of note. I kind of
thought he looked familiar. Thought I saw him blowing a horn next to Max
Roach, or Coltrane, or something, upon the stage in Avery Fisher Hall in on one
of those vintage PBS tributaries to the arts.
Problem is, I saw “The Fly” about a week or so
later and he was looking pretty run down. He'd been "on a
mission" with booze and drugs and had the appearance of a man who was
truly down and out. He looked as if he was on the ropes and Mike Tyson had
caught him with one too many gratuitous shots.
“The Fly” never left the streets. At least
he was still out there the last time I saw him. Battling the demon of substance
abuse can be a Bitch. And not a few talented musicians and artists got caught
out on the streets, because they couldn't slay the dragon of "get
high" in their life.
If you happened to be pummeled by the
"slings and arrows" of outrageous misfortune and the monkey on your
back gets to be a bit too much, and starts acting a little out of pocket, a
little "get high" can help to alleviate the pressure. However,
one has to take great pains to make sure they don't get pulled under by the
current of sex, drugs, and, in The Fly's case, Jazz (which, incidentally
originally stood for "Just Ass"). I think you know where I’m going
with this.
You want to get high, get high.
You want to get your drink on, go ahead and get
your drink on.
Nevertheless, save a few shekels for a rainy
day, as I've been saying throughout the entire memoir, so you don't wind up
like “The Fly.”
If not you might find yourself going from
playing Carnegie Hall to playing for a handful of tossed and niggardly coins on
the platform of the subway’s Number Six Train.
And that would be a low down, dirty, crying,
stinking, shame.
